It seems that Natasha Khan will headline with names that some of his subjects. After 'Daniel', 'Sarah' and their precious last single - 'Laura', the singer known for his work as head of Bat For Lashes has returned to impact the field of music by 'Marilyn', a new piece of that expected LP - "the Haunted Man" - that the British will go on sale on 23 October. You can hear this song in this post, and download it for free via this link.
In 'Laura' we find a synergy elegant sound established only between the piano melody and the sweet voice of Natasha. Now, in 'Marilyn', the game goes by other jurisdictions. That point is still attractive and minimalist there, but there is a dazzling background keyboard that provides everything a twist to the whole expansive melodic song. You hear the song and think "The Haunted Man" will be fully up to expectations. After "Fur And Gold", "Two Suns" and these two splendid pieces, who will think that it will fail now the artist, who will think that London will fail now? We definitely do not.
Last
week I read through the new disk Audioinkradio of Pearl Jam, despite
being finalized in about three quarters, remained "in a neutral
pattern." This moment of relaxation that is taking the band is Serving for group members to experiment with various side projects. Examples? The Mike McCready, who has been heavily involved with Mad Season. Or bassist Jeff Ament, who joined Richard Stuverud and Joseph Arthur in a new band called RNDM.
Ament
has long been collaborating with drummer Richard Stuverud, so the
amazing thing RNDM is the unexpected inclusion in the squad of Joseph
Arthur, known songwriter born in Ohio that has earned a reputation for
occasional LP as "Redemption's Son "(2002), which included compact that good single titled 'Honey And The Moon'. "Acts"
(Monkeywrench Records / RED), which is called as the first disc of this
curious trio, will go on sale on October 30 and will feature a total of
12 topics that come included castañazos rock n ' rolleros, profiles very near Pearl Jam ('Throw You To The Pack' or 'Look Out!') and the odd deep soulful touch.
Through the Rolling Stone site and we could hear a preview issue entitled 'Modern Times'. It
mainly include serpentine and wavy style Bass Jeff, and that slight
psychedelic touch that flows from the synergy produced by the
instruments of these three monsters of rock n 'roll.
Season with Mad Mike, Jeff RDNM .... Probably
take time for hearing the successor of "Backspacer" by Pearl Jam, but
as fun as these proyectillos sure we'll be entertained for a long, long
time.
Still can not get clear in my mind when I discovered Katie Herzig. I think it was the middle of last year, when I overheard Trent Dabbs was to share the stage with her at some point. I then did not pay much attention to this jovial blonde, but soon the fate I would intensely enjoy "The Waking Sleep", the fourth studio album by the beautiful singer from Fort Collins (Colorado).
I love the sweet and stylish texture of his compositions, and noise factor that makes the songs is expanded and shrinking with each passing minute. There are many things I love about his work, but above all things that I prefer stylistic versatility takes Katie to be in a different plane from other artists supposedly close. A Madi Diaz recalls moments in others, however, Fiona Apple ("Closest I Get").Until there is some Oh Land and Dia Frampton (Meg & Dia) in them!. The definition in the stem of his sound is so unique that it is hard to find similes beyond a 20 to 25% of what we can find in his latest LP.
This last stage is the period August perfect for "The Waking Sleep". The green leaves still preserve most authentic, but the atmosphere begins to sense a change coming to a more introspective, more melancholy. It is with such great songs as "Closest I Get ',' Make A Noise 'and' Lost & Found 'we breathe the chameleon nature of that point of the year. Now we just have to calm down, have your body in a relaxed and enjoy the ride. Because with Katie traveling with the mind, not the body.
The
summer is over and nothing better to return to the harsh reality that
September bolus enjoy one of the best guitarists of recent times. Jack White.
Razzmatazz was the place we were going to enjoy that bolazo expected. After
the odd contrast between the living and the street Almogàvers Sant
Jordi Club, the organization opted for a more welcoming but I personally
did not like much, as my past experiences in the room had not been
entirely satisfactory and would not enjoy Jack White III with a bad sound (as seems so happened in Madrid). Thankfully
I was wrong, as the Detroit blew the room to give an unforgettable
concert that will remain in the retina and in the ears of those who
could enjoy the virtuosity of former The White Stripes, The Dead Weather
and The Raconteurs and others.
The
evening began with Peggy Sue, the trio of two girls and a boy
originating in Brighton and had not desentonaron most songs from their
latest LP "Acrobats" (2011) in just over 30 minutes left to set the
stage version "Hit the Road Jack" (the great Ray Charles made famous) in what would be an advance Gale to come.
Delayed
(perhaps the only criticism of the show), half an hour later than
planned and with the uncertainty that would accompany band Jack White
(traveling with two bands one male and one female) and himself who
decides minutes before go up on stage. Around
22:00 a girl took the microphone and asked in perfect Castilian enjoy
the show without grabbing the phone and take pictures with him. A
declaration of principles of the vintage look likes White, who is fond
of guitar riffs without effects, burn your discs designed to be pressed
on vinyl and its composition is based on blues workhorse.
Those
chosen were The Peacocks, the six "women" accompanying JW graced the
stage and took up positions to the hit "Sixteen Saltines" starting to
show Mr. White. With
blue dresses and distributed in drums, bass, keyboards, violin, vocals
and even a lap steel guitar accompanying the musician is soon to orbit
the public. With
"Missing Pieces" the concert was going to stop and review their
multiple projects with songs like "Blue Blood Blues" by Dead Weather and
"Top Yourself" The Raconteurs. As the highlight of the evening reviewing his recent solo debut "Blunderbuss".
With
better sound than in Madrid (as I said a fan who went to both) that
apasionadora called White followed with songs from his solo album with
towering peaks as "Freedom At 21", "Love Interruption" (included with
your game sexy showgirl )
and a beautiful sound of keyboards with "Weep Themselves To Sleep" and
"I Guess I Should Go To Sleep" where maybe you could see the only flaw
in the sound that bothered himself Jack (perfectionist by nature).
There
was also guitar playing for those unfamiliar with both the owner's last
LP Third Man Records (his label) and there were issues of his time with
Meg White in The White Stripes, "Hotel Yorba" and "We're Going to Be Friends ", from his more blues album" White Blood Cells ". Also
classics like "My Doorbell" from "Get Behind Me Satan" and of course,
the mega anthem "Seven Nation Army" of "Elephant" with which he closed
the concert full of "lolololos" a Sunday when no one was without
jumping, vibrate and enjoy at the height of indie, the closest thing
there is today the old glories of rock n 'roll like Led Zeppelin
authentic.Been a high-speed train called Jack White Barcelona Ladies and Gentlemen.
